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Masonry, Philippines, 1890s |
1895 - Filipino mason and future Prime Minister Apolinario Mabini y Maranan informs fellow mason and reform propagandist Marcelo H. del Pilar that an order has been promulgated that prohibits Masonry, orders the closure
of all Masonic lodges, and imposes severe penalties in the Spanish
colony, the Philippines; earlier in 1892, Filipino masons began playing
cat and mouse with the authorities who kept a close watch on Masonic lodges
following the arrest of prominent Mason and friar critic Jose Rizal;
the persecutions resumed in 1894 and assumed terror-level in 1895 when
the arrests and deportations of Masons
have become a daily occurrence; the supposed prohibition comes less
than two years before the outbreak of the Philippine Revolution led led
by the Kagalanggalangang Katipunan nang manga Anak nang Bayan (KKK), a secret organization aiming for Philippine liberation from Spanish rule and which is marked by a mix of both Masonic and indigenous socio-religious concepts.
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Vicente Manansala y Silva |
1910 - Future great Filipino cubist painter and illustrator, Vicente Manansala y Silva,
is born in Macabebe, Pampanga during the American colonial period; a
high school dropout, he would enter the School of Fine arts at the
University of the Philippines where he would be handled by famous artists including Fernando and Pablo Amorsolo, Vicente Rivera y Mir and
Ramon Peralta; he would work as an illustrator for periodicals before
beginning to gain national recognition with his "Pounding Rice" entry
that would bag the top prize at a national exhibition; following an art
fellowship to Canada and, later, France, he would go on to perfect his
craft, including in the field of stain glass and would be credited for developing transparent cubism; his more famous works would make it to postcards included 'daily scenes' of Filipino life,
such as “Magbabalot” (1973), “Planting Rice” (1980), “Tiangge” (1980),
“Carollers” (1980), “Vendors” (1978), and “Give Us This Day” (1977);
Manansala received a number of prestigious awards, including the 1963
Republic Cultural Heritage Award and, posthumously, the National Artist Award in 1981, with his art to be described by President Ferdinand E. Marcos as "uniquely Philippine" while being "as universal as the art of the early titans Luna, Hidalgo, and de la Rosa."
Photo credits:
http://www.filipinopaintings.com/personalities.php?bio=51http://www.mastermason.com/urdaneta302/home_files/readings_files/revo-2.html
1 comment:
What's the different between the present Mason & past Mason's?
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